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I don't think it's really a networks vs. cable issue at all. I think most or even nearly all of the scripted content on cable is governed by the agreements -- it's not just network scripted shows that are ending, it's Comedy Central etc. Plus, a lot of the cable channels are actually owned by the same conglomerates that own the networks. It's all producers, not just network producers. I'm not seeing that people would somehow become readers or start watching mainly non-produced content (like youtube) -- but I'm not a trend predictor at all. |
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I don't think the studios can mine much more out of the reality genre. It's already beaten to death. |
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w/r/t your later post, the writers strike applies to movies, so the studios would eventually run out of movies -- it just is a more delayed effect than on TV because movies take longer. The studios say they have scripts stockpiled, but that's a little bit BS I think b/c writers seem to remain involved well after shooting begins. I don't think the studios can get more out of reality, but I think it's not going to go away -- so it's a reliable, significant source of money. And it seems like even though people might prefer to watch good stuff, if there's nothing really good, they'll watch almost anything. |
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Who pays for the webseries? |
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I tend to by sympathetic towards the writers. In part because I actually know quite a few of them, and in part because I secretly aspire to be one of them. I have a friend that works for a casting agency in New York. She said that the double strikes was just killing the agency, and they're all extremely relieved that the stage hand strike is over. My boyfriend works in production in LA, and he says a lot of the Christmas parties that the studios and other industry companies usually throw have been cancelled or sized down considerably this year. He says that are a lot more technical people than usual looking for productions to join right now. |
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Those upfronts amounts to mucho cash. If there are no upfronts to sell, then Long alleges that these billion dollar networks will be worth something along the lines of a basic cable channel. Uh, carry on. Gattigap |
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A writer's blog that many of my writer friends admire: http://artfulwriter.com/ |
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To the extent DVD-watching impacts sales of DVDs, watching DVDs doesn't seem particularly supportive of the writers, given that they are asking for more revenue-sharing on those, as well -- that implies it is mostly the studios who are profiting. |
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"Non-traditional media The Rules prohibit writing services performed for a struck company in connection with new programming intended for initial viewing on non-traditional media (such as the Internet and cellular telephones), and the option or sale of literary material for that purpose." Thus, if the web page or other "new media" is connected to one of the struck companies, then the union member cannot "cross the picket line" and write for the company. If the website is not owned, operated or connected with any of the AMPTP companies, then the union could not prohibit the writer from writing for that site, blog, etc. aV |
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aV *I recognize that the UAW did not strike Ford. It was simply an example. |
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It's only a matter of time until the net figures out a way to start pumping out reality shows of comparable quality. And on the net, the banner ads can't be ignored with TiVo. I have to confess, by the way, I hate-- No, loathe, reality television, in its almost every incarnation. Sure, I can watch a few minutes of America's Most Smartest Model because Ben Stein is hysterical, but I cannot stomach five minutes of Survivor or Real World or even Beauty and the Geek. It's always the same platform - cringe as fools embarrass selves. It's a very limited punchline. I think the reason for the success of reality television is it makes the people who watch it feel a lot better about themselves. That kind of creeps me out. |
Caption, please.
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Used to be that there were one or two well written shows out there that offered the viewer complex story lines with multiple interesting characters. That's not the case these days. Used to be that once an actor broke out of TV and into the movies, there was no turning back to the small screen. That's not the case these days. Used to be that episodic tv was the sole province of soap operas. That's not the case these days. Sure, there's still a lot of crap on TV, but there's also a LOT of good stuff out there that's well written, fairly well acted, and engaging to the viewer. I think that reality television was helpful in generating a better quality product. |
And, remember, Adam and Eve were White
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And, remember, Adam and Eve were White
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And, remember, Adam and Eve were White
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Rudy, Rudy, Rudy
Does anyone else enjoy that Rudy's latest scandal is being called the "Shag Fund" Scandal?
I mean, come on, it had nothing to do with shagging (except for the travel and "security" for his girlfriend, I hope). It was all just about scamming whoever wanted to try to read a City budget. |
And, remember, Adam and Eve were White
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And, remember, Adam and Eve were White
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And, remember, Adam and Eve were White
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And, remember, Adam and Eve were White
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Be Afraid
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The "liberal" Washington Post, pt. MMCLVII.
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Jesus the Pooh
http://www.sfgate.com/c/pictures/200...x298-carto.gif
And now thousands of these ignorant fuckers want to execute her. Can we develop a bug that selects for reason, and release it certain parts of the equatorial world. And south of the Mason-Dixon line. |
Jesus the Pooh
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Jesus the Pooh
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Jesus the Pooh
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Just look - the NYT today is arguing that being against female genital mutilation is merely another evil Western instance of "cultural imperialism" http://tierneylab.blogs.nytimes.com/...-circumcision/ |
Ron Paul
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Sorry Chef. |
Jesus the Pooh
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Jesus the Pooh
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Jesus the Pooh
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Jesus the Pooh
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Jesus the Pooh
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